So  my plan for this ISP is to intern with Eric Voh Lehmden at Studio 563  in downtown Austin, roughly every other week or so. Unfortunately,  October is a busy month for the photographers (and me, I realized.  Region's this Friday, oops?). So, Eric and I've worked it all out. Yeah,  we're good. :) I've been emailing him interview questions--thank you,  technology!--and shall be experimenting with a dSLR on my own. Come  November, Eric and I will pick up progress on that internship.  <insert evil laughter here>
Interview Questions Set #1
Q: Is October an universally month busy for photographers, or just Studio 563? And why?
A: October  is a busy month for most wedding photographers in Texas.  It has  been  that way for the 10 years that I have been photographing weddings.   It  has to do mostly with the weather.  It is a nice time of year and   people like to get married outdoors.  Same is true for the spring   months. 
Q:What other times of year are busy for photography studios and why?
A: Very  busy in April - June.  Those are high volume wedding months.   People  tend to want to get married in either the spring or fall here  because  the weather is pleasant.  No one likes to get married outside in  100+  heat (ie July and August).
Q: What are some different careers and salaries within the industry?
A: There  are a ton of different careers in the photography industry.  Most  of  them are broken into a few different categories though - Weddings,   Portrait, Commercial, Editorial, Journalism.  Weddings and Portraits are   pretty explanatory.  Commercial and Editorial can cross over a bit,  and  within Commercial work there are a ton of different things you can   specialize in (ie food, product, beauty, fashion etc).  Editorial can   also be fashion but is generally considered a photo shoot that tells a   story.  Journalism is working with news agencies (news, sports,   entertainment etc).  I really don't know salaries that well because it   all depends on the person and how busy they are and what they charge   specifically.  Everyone does it differently so it is hard to say one one   person makes over another.  That is one of the challenges of this   industry...there aren't really any pricing "standards".  And even if   there are then people undercut or overcharge which be detrimental or   beneficial to another photographer (depends on your outlook).
Q: How important is it for an aspiring photographer to obtain an university degree in photography?
A:     I don't think it is important at all.  I think if you want to make a   living doing photography then you may take a few classes in photography,   but your main focus should be in how to run a business.  Marketing,   advertising, knowing your costs and how to make money doing what you   love is the most important thing.  So get a degree in business or   marketing.  It will benefit you so much more.
Q: Studio   563 is a very well-established and successful studio; what were some  of  the key aspects or actions involved in gaining this reputation?
A: Well...it  is a lot of hard work.  you have to get your name out there.   That  involves marketing and marketing to the correct people.  Those  people  are your target clients or the people you hope do business with  you.   But you have to have an ever present approach to getting a good   reputation.  We try to give each of our clients a great experience which   will translate into them telling a few of their friends about us.  So   word of mouth is a very large part of a successful studio.  The best   marketing is happy clients.
Q: What are the advantages and disadvantages of automatic settings on a camera? 
A: The  only automatic setting on my camera I ever use is "A" for aperature   priority.  That is good to use when you are shooting something when the   lighting changes frequently (ie when a bride & groom leave a venue   from dark shade to bright sunlight then back to dark shade).  That can   be a challenge if you are shooting in full manual mode.  Other than  that  I think it is all disadvantage to shoot in "auto" or "program"  mode.   There is no creativity or allowance for the photographer to make  a  decision on how they want the photo to look.
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Eric's  given me so much to think about... I think the most surprising thing he  said is that a business or marketing degree would be the most  beneficial to a photographer. I mean, when I think about it, it makes  total sense. "Good photography" is ultimately based on a person's  creativity. A person can learn to use the settings of a camera, with all  the gizmos and shiny buttons, but anybody can flip a switch. Behind an  awesome photograph is a person who has to choose the angle, the frame of  the picture, the lighting--all the things that make an awesome photo  awesome. Great photographs do more than push a bunch of buttons. Great  photographers form images in their minds and capture that desired  outlook, all in order to tell a story, to make a person feel something.  It's like playing the violin. With my instrument, I have to imagine the  emotion I want my listeners to feel, and then I have to convey that  emotion through my music. And... emotion can't be taught. 
Okay,  metaphor over. I think I'm loopy today. Anyways, it's totally possible  to learn how to use a camera simply with an instruction book. And just  the other day, with my bff Google, I was stalking different  photographers' blogs, and I read a bunch of neat tricks. It's not until a  photographer experiments on his or her own, playing with light,  shadows, exposure, that a photographer finds his style, his brand of  totallyawesomecool photos. And that wouldn't be found from a lecture. So  if a photographer doesn't necessarily need a teacher to show him how to  self-experiment, then wouldn't it be logical that what a photographer  really needs is a way to learn how to run a business? Because if the  best photographer can't make money, what's the point?